Category Archives: non-pattern pattern
I often say my dog, Sadie, has never seen a throw pillow she didn’t want to eviscerate. That’s not quite accurate. There are a couple she’s left alone, one being this Impromptu Pillow I made several years ago.
When I realized I had a couple of 10″ pillow forms and the two skeins of yarn Guest Dog Stanley got into a few months back, I decided to make a tiny version of the Impromptu Pillow. The 10″ pillows are small enough they could be dog toys (especially for my giant furry nephew, Duke—a Redbone Coonhound and Great Pyrenees mix), but since the Impromptu Pillows have crocheted edges, I knew I could make it look larger but adding a couple more rounds of edging.
I designed the original pillows to be made with super bulky yarn, so I had to adjust the gauge, using the gauge information from the yarn label that Stanley didn’t shred to determine how many stitches I needed to make to make a square to fit the 10″ pillow form.
Since this particular yarn says 20 rows of 14 stitches knitted on US 10 needles averages a 10cm square, I used a ruler that has inches and centimeters to figure out how many centimeters I wanted the square to be. Gauge can vary a lot by knitter, so I first tried 28 stitches, but that ran a bit small. Then I tried 30. That was still a bit small, and I also remembered that seed stitch works easiest with an odd number of stitches—because each row starts with and ends with a knit stitch there’s really no pattern to remember other than Knit 1, Purl 1.
Thirty-five was the magic number for me. After a couple of false starts, It was finally time to start knitting.
I didn’t count rows, I just eyeballed the size of the first square, and used it as my guide for the second square.
You’d think knitting panels for a smaller pillow would take less time, but I was using smaller needles and a thinner yarn. I’d be lying if I didn’t say it got a bit monotonous. There’s a reason I love thick yarn and big needles: The work goes a lot faster.
I made sure to finish each square with an odd row, so the cast-on tail would be at the lower right and the cast-off tail on the upper left.
Then the assembly began:
Starting at a corner, I joined matching yarn—you could use a contrasting color if you like—and used a simple single crochet to join the first two edges. If you don’t crochet, or want a more modern, streamlined look, you can always skip the edging and sew the edges together with matching yarn and a blunt, large-eyed needle. But remember, my goal here was to make a 10″ pillow look larger.
I used 24 stitches to close each side of the pillow, and for the corners I did 1 single crochet, 1 double crochet, 1 single crochet all in one stitch to form a square corner.
I improvised the edging, but sketched out a few options, with each dash representing a single crochet stitch. (I am not fluent in crochet charting symbols, so I did what made sense to me.) The first row was basically a repeat of 1 single crochet, skip one space, chain 1, 1 single crochet (starting each round with a chain 1 in place of the first single crochet, and ending each round with a slip stitch joining to it for the final stitch).
The final round I did—starting and ending like the previous round—was essentially a repeat of chain four, 1 single crochet in the chain 1 space, and the corners were chain 2, 1 triple crochet (into the double crochet stitch of the previous round), chain 2 which ended with a single crochet which leads right back to repeated stitch pattern.
I think the final result looks pretty nice. A little bit of a lacy flourish, but not too ostentatious. Here it is sitting next to the 16″ Impromptu Pillow shown above. That pillow only has one row of edging because I was nearly out of yarn. That super bulky yarn also doesn’t really allow the lacy details of the crocheted edging to show through. So I guess there are advantages to using smaller needles and thinner yarn. Sometimes.
Anyone want to guess how long it will take Sadie to attack this new pillow?
One of the first things my sister and I did after she gave me a new sewing machine for Christmas in 2015 was hit the fabric store.
The first place I like to stop in any fabric shop is the remnants area. You can find small amounts of expensive fabric for a fraction of the price. On that trip we found a lot of remnants to turn into throw pillows. We both loved a silky muted blue-green fabric with copper-colored French knots.
I thought it would be perfect to replace the faded fabric inserts in the shutters in the back bedroom. Fortunately there were two pieces of that fabric so we didn’t have to fight.
To underscore the cost-savings of buying remnants: this “designer” fabric was originally priced at a ridiculous $29.99 per yard, but was only $5 per yard as a remnant. The $5.63 piece was 1.125 yards (just enough for this project), and the $9.76 piece was 1.952 yards. I should be able to cover a couple pillow forms with the larger piece.
Yes. I know. I sure took my time before using any of those remnants. Probably because I didn’t realize how badly faded the old fabric was until I removed all eight inserts from the shutters. They’ve been getting the afternoon sun for the better part of a decade, so I’d say the plain cotton quilting fabric held up very well, despite the sun bleaching.
The first thing I did was measure the old inserts and the new remnants. Having replaced these inserts before, I knew the upper and lower shutters were different lengths, and the old inserts were each about eight inches wide, roughly double the width of each shutter. While the front of the fabric doesn’t appear to have an up-and-down direction to it, the back does, so I wanted to cut all eight panels in the same direction.
Of course, it was only after cutting the shorter panels that I realized I forgot to allow the extra two inches needed to form pockets for the small tension rods that hold the top and bottom of each panel in place.
Luckily I had the second remnant. No worries, either. The four mis-cut panels should still work well for the pillow covers.
After all the pieces were properly cut, it was pretty much an assembly line process:
- Press a quarter-inch fold, towards the back, on all of the long edges. (On the old inserts, I folded the fabric twice for a clean, finished edge, but the French knots in this fabric create more bulk, and would be difficult to sew over when sandwiched between two layers of cloth.)
- Sew the side hems.
- Form pockets for the tension rods on one end of each panel, starting with a quarter-inch fold for a clean edge, then fold again, approximately one inch. Press and pin.
- Sew the pockets.
- Next is the only fussy part: figuring out the right length for the second pocket. I knew the four upper panels needed to be 24-1/2″ and the lower ones 27-1/2″. I folded, and measured carefully before pressing, pinning, and sewing.
Once all of the panels were sewn, it was time to slip them on the tension rods and into the shutters. How cool that the copper rods coordinate so well with the fabric!
Uh-oh. Time for the embarrassing photo. But I need it to show you how the panels fit into the shutters, so try really hard to ignore the fact that I never painted the back side of the shutters.
Only two of the panels were a little tight. But my dad made these shutters long ago, so the spaces for the little rods are no more precise than the lengths of the new inserts. I just tried the tight ones in different openings and they all fit without needing any of the pockets to be ripped out and re-sewn.
Once all eight panels were in, I noticed a happy accident: Shadows of those cool ribbons I love show through in daylight, creating a whole new look.
It’s like getting two looks from one project.
In a few years, once the sun has done its damage, I wonder what kind of patterns those ribbons on the back will have created.
What d-i-y projects have you done lately?