Category Archives: Projects
Over a month ago I discussed the summer slump in my crafty projects. Not much has changed since then, but I’ve finished two more throw pillows for my sister, and have worked my way through most of that stash of cotton yarn.
(I’ve made seven more since this photo, and as you can tell from the dishcloth on the left, I’m at the point where I’m running out of one ball of yarn and finishing with another. Adding a multi-tone yarn to a coordinating solid helps you avoid having a “right” and “wrong” since to the dishcloth.)
I’ve also crocheted so many more hexagons for a summer bedspread that I have that pattern committed to memory, too. I think I have roughly 60 hexagons completed, which probably won’t even form one quarter of the future bedspread.
I really love the way the latest two throw pillows turned out, too. I especially love the texture on the larger pillow.
My plan for now is to use up all of the yarn as quickly as possible (leaving any small remnants to piece all of those hexagons together whenever I have enough for a whole bedspread), and knock out a few more pillows for my sister.
Once the cotton yarn has been used up, I have a new knitting project I can’t wait to get started on, but I want to wait until there aren’t any more 85-90-degree days in the forecast. It’s a larger project, so I had to get a longer set of size 11 circular knitting needles. Luckily, those were on sale when I bought the yarn.
It’s no secret that the new project is another baby blanket for my cousin and her husband, who are expecting their second child in early 2019. And don’t read anything into the color of the yarn. It’s not blue, it’s actually a vivid turquoise-y aqua. I chose that color because I saw a lot of aqua and turquoise on my cousin’s Pinterest page.
With the Autumnal Equinox just a few weeks away, it’s good to know I’ll have a challenging new project to work on when knitting season kicks in. It will involve a bit of intarsia, which means changing colors without stranding the yarn. It results in a cleaner reverse side, but you have to watch how you twist the yarn so you don’t create gaping holes.
I’ll probably post an update or two on the baby blanket as it progresses, but I don’t want to show the exact pattern. That will be the surprise for my cousin and her husband. Instead of “What’s Paula knitting?” they’ll have to wonder, “What will the baby blanket Paula’s working on look like when it’s done?”
After all, a knitter can’t reveal all of her secrets.
What types of creative projects do you look forward to when seasons change? Or do you refuse to let hot or cold temperatures stop you from your hobbies?
Ah, summer. My least-favorite season. (Sorry, summer lovers, but sweating while standing still is not my idea of fun.)
My desire to knit and crochet anything more than cotton dishcloths is virtually non-existant in hot weather. And remember the knitting machine a friend gave me? I still haven’t read the books that came with it. One detail I gleaned from a quick glance at the books is that the knitting machine needs to be clamped to a strong table.
The only option here would be the heavy-duty formica-topped drop-leaf table Grandma bought when she moved from her house to an apartment. But that’s where the sewing machine is currently set up for making throw pillow covers for my sister. I’ve even left the ironing board up since the loud squeak it makes each time it’s set up or taken down freaks out Doggie Sadie.
The sad part? I’ve only made two pillows so far. The first cover I made was for a huge 27″ pillow form. It was very frustrating because my sewing machine kept jamming. I thought I’d loaded the bobbin wrong. Nope. The machine was threaded properly, too. Then I realized the thread was too thick for the needle. I switched to a standard weight thread and all was well.
My sister bought two large pieces of that particular remnant, so I had more than enough to make a removable cover: a square front, and two rectangular pieces that overlap a few inches in the back.
The second pillow is striped, and I wanted the stripes to run horizontally. While I had enough fabric to make it removable, I knew the reverse side would look really bad if I couldn’t align the stripes perfectly….so this cover isn’t removable.
The pillow form is machine washable, so if my sister washes the entire thing and the fabric shrinks or looks wrinkled, I can always make another cover.
A big reason I consider sewing a summer project: The only air conditioner in the house is in the dining room. (It’s an addition. The original house has large, beautiful casement windows that open like doors, but the addition has ugly canopy windows, so I had a canopy window removed and a window unit built in. And yes, I saved the old window in case anyone ever wants to put it back in.)
Once I finish some more pillows I’ll put the sewing machine away and start reading the knitting machine books. Then I’ll try setting up the knitting machine. From what I’ve learned so far, it will probably need a sponge bar, and I’ll also have to see what types of yarn I can use in it.
In the meantime, a friend who makes hats for the homeless gave me a grocery bag full of brand new cotton yarn. She couldn’t use the cotton yarn for winter hats, but knew I like working with cotton yarn in the summer.
All that and I’ve barely made a dent in the new yarn supply.
My siblings both got creative this summer too. My brother did a woodworking project,
and my sister did an art project. I’ve asked if they’d do guest posts about their projects, and neither said no. But it will probably boil down to if either of them remembered to take photos while making their projects.
What summer crafts have you been working on?
I often say my dog, Sadie, has never seen a throw pillow she didn’t want to eviscerate. That’s not quite accurate. There are a couple she’s left alone, one being this Impromptu Pillow I made several years ago.
When I realized I had a couple of 10″ pillow forms and the two skeins of yarn Guest Dog Stanley got into a few months back, I decided to make a tiny version of the Impromptu Pillow. The 10″ pillows are small enough they could be dog toys (especially for my giant furry nephew, Duke—a Redbone Coonhound and Great Pyrenees mix), but since the Impromptu Pillows have crocheted edges, I knew I could make it look larger by adding a couple more rounds of edging.
I designed the original pillows to be made with super bulky yarn, so I had to adjust the gauge, using the gauge information from the yarn label that Stanley didn’t shred to determine how many stitches I needed to make to make a square to fit the 10″ pillow form.
Since this particular yarn says 20 rows of 14 stitches knitted on US 10 needles averages a 10cm square, I used a ruler that has inches and centimeters to figure out how many centimeters I wanted the square to be. Gauge can vary a lot by knitter, so I first tried 28 stitches, but that ran a bit small. Then I tried 30. That was still a bit small, and I also remembered that seed stitch works easiest with an odd number of stitches—because each row starts with and ends with a knit stitch there’s really no pattern to remember other than Knit 1, Purl 1.
Thirty-five was the magic number for me. After a couple of false starts, It was finally time to start knitting.
I didn’t count rows, I just eyeballed the size of the first square, and used it as my guide for the second square.
You’d think knitting panels for a smaller pillow would take less time, but I was using smaller needles and a thinner yarn. I’d be lying if I didn’t say it got a bit monotonous. There’s a reason I love thick yarn and big needles: The work goes a lot faster.
I made sure to finish each square with an odd row, so the cast-on tail would be at the lower right and the cast-off tail on the upper left.
Then the assembly began:
Starting at a corner, I joined matching yarn—you could use a contrasting color if you like—and used a simple single crochet to join the first two edges. If you don’t crochet, or want a more modern, streamlined look, you can always skip the edging and sew the edges together with matching yarn and a blunt, large-eyed needle. But remember, my goal here was to make a 10″ pillow look larger.
I used 24 stitches to close each side of the pillow, and for the corners I did 1 single crochet, 1 double crochet, 1 single crochet all in one stitch to form a square corner.
I improvised the edging, but sketched out a few options, with each dash representing a single crochet stitch. (I am not fluent in crochet charting symbols, so I did what made sense to me.) The first row was basically a repeat of 1 single crochet, skip one space, chain 1, 1 single crochet (starting each round with a chain 1 in place of the first single crochet, and ending each round with a slip stitch joining to it for the final stitch).
The final round I did—starting and ending like the previous round—was essentially a repeat of chain four, 1 single crochet in the chain 1 space, and the corners were chain 2, 1 triple crochet (into the double crochet stitch of the previous round), chain 2 which ended with a single crochet which leads right back to repeated stitch pattern.
I think the final result looks pretty nice. A little bit of a lacy flourish, but not too ostentatious. Here it is sitting next to the 16″ Impromptu Pillow shown above. That pillow only has one row of edging because I was nearly out of yarn. That super bulky yarn also doesn’t really allow the lacy details of the crocheted edging to show through. So I guess there are advantages to using smaller needles and thinner yarn. Sometimes.
Anyone want to guess how long it will take Sadie to attack this new pillow?
For some reason, a lot of people in my family (including me) like sleeves with thumbholes. When Sadie was a puppy, her razor-sharp puppy teeth ripped holes into the sleeves of a couple of my tops, but instead of turning them into dust rags or quilt fodder I stretched the tiny holes into thumbholes.
But no one loves thumbhole sleeves as much as my sister does. When she found this pattern for Camexia Design’s Cropped Thumbhole Sweater, she asked if I could make it for her. The pattern looked fairly simple, and I love working dropped stitches, so she ordered the same King Cole Big Value Chunky yarn mentioned in the pattern and had it sent to me. She chose the color “Caramel”—ostensibly to match her dog, Stanley.
The yarn happened to arrive on the first day of Stanley’s latest doggie vacation here with Sadie. I wanted to read through the pattern before casting on, so I put the yarn into a project bag and set it beside my knitting chair. The next morning I found this spread across the living room floor:
Someone had a party with two skeins of yarn. Luckily my sister bought five skeins, just in case I needed to make a different size.
While I didn’t witness the mayhem, Sadie is used to yarn and knitting projects—finished and in progress—so she’s pretty blasé about it all. When I get new yarn, Sadie takes one look and is like, “More yarn? Boring!” Stanley, on the other hand, happily sniffed the yarn after it arrived, and an hour or so later I caught him on the chair curled up with an intact skein of yarn. In the middle of the night he ran into the living room to bark at things several times. Given the evidence and Sadie’s total disinterest in yarn, I think it’s clear who the culprit was.
The good news is I only needed three skeins to make my sister’s cropped thumbhole sweater, so I didn’t have to detangle the massive pile of yarn to finish the project. (That said, when I finally did untangle it, it took a couple hours.)
This sweater is designed to have the bumpier purl side of the stockinette stitches showing, but my sister preferred it with the smoother knit side showing. Either way, it was a fun knit and looks really cute on her. In fact, she loved it so much she asked me to make a second one in a heathery charcoal grey.
I only came across two stumbling blocks when making the first sweater. One I didn’t notice until I’d finished it:
- I think there should be yarn overs BEFORE purling the first stitch of the yarn over rounds or you won’t have loops to drop on the first stitch of what I call the “purl drop” rounds; knitted as written, there’s a vertical column of tighter-looking stitches running down the middle of the back (or front, since it works either way; see photo above) of the sweater. My sister has long hair, so if her hair is down she can put that side in the back, but if she wears her hair up she can throw on a couple of longer necklaces to divert attention.
- Try as I might I couldn’t figure out the special cast-off method described in the pattern. I contacted the creator via Instagram and Ravelry, and she gave me a link to a video that shows a similar technique. She said it was included with the pattern, but I didn’t see a URL for it on the printout I was using. Once I saw a few seconds of the video it made perfect sense. You’ve got to love a responsive designer who answers your questions!
Now that the second sweater is on the needles (isn’t the heather gray gorgeous?), here are a couple photos of those super fun double purl drop rows.
If you have a big gap under the arms when you finish, just thread a little leftover yarn through a wide-eye darning needle and close it with a few quick stitches. Simple.
I hope my sister likes the charcoal version as much as the caramel one!
Precisely one year ago I announced my pledge not to buy any new yarn (unless it was for a special project for someone else) until my yarn stash was gone or the calendar said 2018.
The funny thing? I didn’t miss buying yarn that much. Or at least not as much as I thought I would.
This is what my yarn stash looked like one year ago:
This is what it looks like today:
And that includes remnants of new yarn I purchased to make one pair of socks, a baby blanket, four chemo hats, and four scarves!
How did I burn through so much yarn that it now fits into two under-the-bed storage cases?
- Gave a bunch of yarn to a friend who was making hats for the homeless
- Made two P-hats upon request
- Knitted wool mittens
- Knocked out a stack of cotton dishcloths
- Used scrap yarn to knit a Santa hat for a sock monkey
But hands down, the best stash-buster of all was the Sediment Scrap Blanket.
Not only did the quintuple-stranded blanket rapidly eat through an incalculable yardage of yarn, it resulted in a lovely, thick, and warm blanket which has been getting a lot of use during the recent (and seemingly endless) arctic blast we’re experiencing.
The challenge taught me that it’s important to save yarn labels or find a way to note what types of yarn you have in your stash. Knowing which yarns are wool is important if you want to make something that’s washable, if you want to felt something, or if you’re making an item for someone who’s allergic to wool or other fibers.
Now that I’m free to buy more yarn without any restrictions, I think I’ll keep wheedling down my yarn stash. It’s been a fun challenge, and I’d encourage other yarn addicts to give it a try.
What craft-related resolutions did you make last year—or for the new year?
I confess: Working on a lot of little projects barely put a dent in the yarn stash I pledged to use up over the course of 2017.
Fortunately I spotted the Katie Rose Pryal’s Sediment Scraps Blanket on Ravelry. Because you’re working five—count ’em five—stands of yarn at a time, this project really burns though a yarn stash. It also makes for a really thick, warm blanket.
The pattern works up much like the classic dishcloths I made over the summer (using up nearly all of my cotton yarn), but it seems even faster because it’s on large needles. This is what I had after a just couple of hours of knitting:
The Sediment Scraps Blanket pattern is really fun to knit. I got excited whenever a strand of yarn ran out and needed to be replaced.
I tried to balance the colors a bit, so there wouldn’t be too much of any single color in one area, but sometimes the yarn had a mind of its own.
This is a pattern that really showcases the basic garter stitch. Despite being worked on the bias, it’s also straightforward enough for a beginning knitter to tackle it if they know how to work simple increases and decreases.
It’s hard to believe, but about mid-way through I was worried that if I made my blanket too long I might run out of yarn.
The final result is a thick, heavy, warm blanket that’s about 50″ by 60″—a perfect size for settling in to watch TV on a cold evening.
Not only does this pattern use up a lot of random yarn scraps, it holds memories of each project those bits and bobs of yarn came from. A really cool thing happens when so many different colors combine into a single object: the new item can blend in with pretty much any color scheme.
Did it use all of my yarn stash? Not quite. But most of what’s left now fits into two under-the-bed storage cases, so it made a huge dent.
After the holidays I think I’ll try to make a coordinating throw pillow to use up the rest of my stash.
If you’re a freelance writer like me, chances are you’ve heard of Jenn Mattern, the brains behind All Freelance Writing (and about a billion other websites). Some of us who are lucky enough to know Jenn outside of her professional milieu have discovered her creativity knows no bounds. Whenever and wherever she sees a problem she always seems to find a solution.
A couple months ago she wanted a pen holder and decided to make one from found objects around her home. I broadly hinted that it might make a good guest post for Create From Scratch. Thankfully she agreed. Here it is. Thanks, Jenn!
Create a Custom DIY Pen Holder
When I decided to get back into writing poetry, I wanted to go “old school.” So I bought myself a new poetry journal, pen, and ink, and I looked for a pen holder that appealed to me.
The closest pen holder I found to what I wanted was about $50 and a bit too small. I got fed up with the fruitless search before long. Then I was poking around my tools looking for something for a home repair project I needed to knock out, and a light bulb turned on.
I could make a pen holder.
After all, the simple wooden style I was after didn’t look too difficult to replicate. So I dug around the house a bit and found everything I’d need to whip up a custom pen holder. And I’ll show you that near the end of this post. But first…
When Paula saw my original pen holder, she asked if I’d be interested in a guest post to teach you how to make one. So I popped over to the craft store and picked up a few things (it’s super cheap, I swear), and I made a second one so I could take some photos and show you the basic process.
Here’s the gist of how to make your own inexpensive wood pen holder. You can swap out the two wood pieces with pretty much any material you’d like as long as you have a base and a ring of some sort to support your pen. I bet you can come up with even more creative ideas.
What You’ll Need
- Wooden base
- Wooden ring (Both wooden pieces are less than $1 each at a craft store like A.C. Moore or Michaels.)
- 1 sheet of felt (or leftover pieces are probably plenty – about $.30 at the craft store)
- Wood stain or paint of your choice (won’t need much, so whatever you have on-hand is probably enough)
- 1 sponge applicator or brush for the stain
- Glue (super glue, wood glue – anything strong enough to hold two wood pieces together)
- Newspaper or paper towel to protect your work area
What to Do
Step 1: Set up your work space.
I laid out some paper towel because I keep some around this desk when I’m painting anyway. But you can use newspaper, a rag, or whatever you have on-hand. You don’t need a large work space protected for this – just somewhere to stain the wood and let it sit until it dries.
Step 2: Prep the wood.
My mistake with this new pen holder was that I didn’t realize how rough the edges of the base looked until it was stained. I highly recommend sanding both pieces lightly to get a consistent surface.
Step 3: Stain the wood.
Apply your choice of stain (or paint if you prefer) to both pieces of wood. You don’t need to do the inside of the ring, as that will be covered with your felt later, but do make sure you stain the entire upper edge of the ring. Set both pieces aside to dry.
Step 4: Glue the ring to the base.
Apply a thin line of super glue (or wood glue, or whatever strong adhesive you have around) to the bottom of your wooden ring. Carefully place it where you want it on the base, and apply gentle pressure. You don’t want to add so much glue that it seeps out onto your wood base when you press down.
Step 5: Cut and apply your felt pieces.
Start with your base. In my case, this was simply a small felt circle. It’s okay if your base is slightly smaller, as your wall piece will cover any small gaps around the bottom. Push it to the bottom of the ring. No need for glue. It’ll actually go through the felt and make a mess anyway.
For the wall of your ring, simply cut a strip of felt as wide as your ring is tall. Leave it a bit longer than you think you’ll need. Then roll that felt strip tightly and insert it into the ring. Let it open, and gently press it against the walls.
If your felt ends overlap, pull the strip out and trim a little at a time until the two ends meet perfectly. If you do this, you won’t need an adhesive at all. You can use glue if you’d like, but I preferred to avoid the risk of any seeping through and making contact with my pen.
There you have it – your new pen holder!
What I’d Do Differently
If I were to start over with this project, I’d have done a few things differently:
- I would have chosen a slightly larger base.
- I would have sanded the wood first.
- I would have sealed it with a clear coating to give it a smoother finish and some shine.
Those are just things to keep in mind that you can tweak to make your own pen holder a bit nicer than this one. But this isn’t the one I’m actually using, so I wasn’t too worried about it. You see, my first was made from “found items” instead – I had everything around the house already. Here it is:
For this one, the base was a rosewood flooring sample I had lying around from when we were looking into replacing flooring around the house. And the ring is the decorative ring from a WoodWick scented oil dispenser (there’s a logo on the back end that no one’s going to see from my desk). The wood of both just happened to match perfectly.
I glued the ring to the flooring tile and use self-adhesive felt pads, cut to fit (the little felt pieces you stick to the bottom of furniture legs to make them slide easier).
The only problem I had left was the ridge in the front of the flooring sample. I happened to have some insulation tubing that fit perfectly. It was white, so I pulled out a Sharpie to make it look like a simple black rubber accent.
It was a project done on-a-whim, made from things that would have otherwise been thrown away. So, even though the craft store version is cheap (I spent less than $2.00 because I already had stain, a foam brush, the felt pads, and glue), you very well might be able to whip one up for free!
To check out another one of Jenn’s recent creative inspirations—a way to make her regular desk transform into a standing desk and back again—check out her recent blog post at All Freelance Writing.
While my year-long effort to reduce my yarn stash was placed on pause to finish the Sheep Dreams Baby Blanket for my cousin—which was a really fun project!—a brief reprise from the summer heat has me knitting again.
I wanted a quick project, so I turned to the Knit Knack Kit my sister and I picked up at one of her favorite resale stores.
Kris Percival’s simple, old-fashioned “Warmest Mittens” pattern leapt out at me. First, because they look warm and cozy, but also because I haven’t tried making mittens in several years. It didn’t hurt that there was enough stash yarn to make a matching hat and maybe a scarf or cowl, too.
The yarn I chose was leftover from a felted knitting project I made back when I was one of the rotating bloggers for Patons Yarn’s former blog. The mitten pattern included directions for three-color striped mittens so I chose three of the five Patons Classic Wool colors that I had the most of: Yellow, Pumpkin, and Orchid.
Time to cast on. The pattern suggests size 4 and 5 double-pointed needles, but I don’t have any 4s. (I know. I can’t believe it either.) So I chose size 5 for the cuffs and 6 for the rest of the mittens. Going up or down a needle size or two will alter the size of the mittens slightly.
The pattern works up fairly quickly, and the stripes allow you to see your progress. (If there’s one thing I don’t care for, it’s knitting the same color and stitch over and over and over. It’s monotonous and makes it hard to see how much you’ve knitted.)
I opted to start the second color after the cuffs and work 10 rows of each color.
Once the gusset increases are done it’s time to slip stitches from that needle onto a stitch holder.
Continue knitting the hand. The thumb stitches will wait for their turn.
When I got to the final few rows, I decided to work the last 12 or so rows in the final color since switching to a new color for just a couple of rows would have looked silly.
Then it was finally time to make the thumb.
The thumbs work up quickly. I could have worked 10 rows and changed colors, but the photo on the pattern had solid color thumbs, which looked nice.
Before you know it, it’s time to weave in the ends. Each color change leaves two “tails” of yarn that need to be worked in so they’re unseen and secure.
Luckily the pattern said to leave tails that are long enough to thread through a tapestry needle, making it a bit easier to weave in the ends.
I’m glad I didn’t have size 4 DPNs since these beauties fit my hands really well. I will definitely be making this pattern again.
Do you have a go-to mitten pattern? If so, what do you like most about it?
One of the first things my sister and I did after she gave me a new sewing machine for Christmas in 2015 was hit the fabric store.
The first place I like to stop in any fabric shop is the remnants area. You can find small amounts of expensive fabric for a fraction of the price. On that trip we found a lot of remnants to turn into throw pillows. We both loved a silky muted blue-green fabric with copper-colored French knots.
I thought it would be perfect to replace the faded fabric inserts in the shutters in the back bedroom. Fortunately there were two pieces of that fabric so we didn’t have to fight.
To underscore the cost-savings of buying remnants: this “designer” fabric was originally priced at a ridiculous $29.99 per yard, but was only $5 per yard as a remnant. The $5.63 piece was 1.125 yards (just enough for this project), and the $9.76 piece was 1.952 yards. I should be able to cover a couple pillow forms with the larger piece.
Yes. I know. I sure took my time before using any of those remnants. Probably because I didn’t realize how badly faded the old fabric was until I removed all eight inserts from the shutters. They’ve been getting the afternoon sun for the better part of a decade, so I’d say the plain cotton quilting fabric held up very well, despite the sun bleaching.
The first thing I did was measure the old inserts and the new remnants. Having replaced these inserts before, I knew the upper and lower shutters were different lengths, and the old inserts were each about eight inches wide, roughly double the width of each shutter. While the front of the fabric doesn’t appear to have an up-and-down direction to it, the back does, so I wanted to cut all eight panels in the same direction.
Of course, it was only after cutting the shorter panels that I realized I forgot to allow the extra two inches needed to form pockets for the small tension rods that hold the top and bottom of each panel in place.
Luckily I had the second remnant. No worries, either. The four mis-cut panels should still work well for the pillow covers.
After all the pieces were properly cut, it was pretty much an assembly line process:
- Press a quarter-inch fold, towards the back, on all of the long edges. (On the old inserts, I folded the fabric twice for a clean, finished edge, but the French knots in this fabric create more bulk, and would be difficult to sew over when sandwiched between two layers of cloth.)
- Sew the side hems.
- Form pockets for the tension rods on one end of each panel, starting with a quarter-inch fold for a clean edge, then fold again, approximately one inch. Press and pin.
- Sew the pockets.
- Next is the only fussy part: figuring out the right length for the second pocket. I knew the four upper panels needed to be 24-1/2″ and the lower ones 27-1/2″. I folded, and measured carefully before pressing, pinning, and sewing.
Once all of the panels were sewn, it was time to slip them on the tension rods and into the shutters. How cool that the copper rods coordinate so well with the fabric!
Uh-oh. Time for the embarrassing photo. But I need it to show you how the panels fit into the shutters, so try really hard to ignore the fact that I never painted the back side of the shutters.
Only two of the panels were a little tight. But my dad made these shutters long ago, so the spaces for the little rods are no more precise than the lengths of the new inserts. I just tried the tight ones in different openings and they all fit without needing any of the pockets to be ripped out and re-sewn.
Once all eight panels were in, I noticed a happy accident: Shadows of those cool ribbons I love show through in daylight, creating a whole new look.
It’s like getting two looks from one project.
In a few years, once the sun has done its damage, I wonder what kind of patterns those ribbons on the back will have created.
What d-i-y projects have you done lately?
As soon as I knew my cousin Dano’s due date was July 4th, I started looking for baby items I could knit. On Christmas, I overheard Dano’s mom mention something about a soft neutral gray pallet for the nursery instead of typical baby colors.
On Pinterest I spotted a gray baby blanket with a row of white sheep, but that wasn’t a knitting pattern, it was a finished item ready for purchase. So I searched Ravelry for “sheep baby blankets” and found several options. Of course the one I liked the most—”Sheep Dreams”—was out of print.
It was originally published in a book called Knit Baby Blankets! and I was able to track down a copy of that book on Amazon.com.
As soon as the book arrived, I ordered several skeins of Cascade Yarns Sateen Worsted—a soft, light, worsted-weight yarn I thought would be better for summer than wool—in Gunmetal Gray for the body of the blanket. Because I was substituting yarns, I bought extra skeins in case it wasn’t enough. (That turned out to be a wise move because I believe the color was discontinued.) I also bought a skein of the fluffy, chenille-like Brown Sheep Berrocco Plush in Cream, and a skein of Sateen Worsted in Black for the details, but it didn’t show up well enough against the Plush, so I used a slightly heavier weight black yarn from my stash.
I was so excited to finally cast on. The textured border was really interesting to do. It’s called a ribbed stitch, but it’s more than that. You double the number of stitches of one row by knitting in the front and back of each stitch, then reduce it back to the original number of stitches by knitting two together then purling two together and repeating that across the next row. The process results in a thicker border.
Then the real challenge began.
The pattern was challenging enough to be interesting, but it also contained a lot of errors. Luckily the structure is pretty logical and there were several photos to reference, so I could see where the problems were and how to fix them—like when the pattern said to continue the Double Bind Stitch from border to border I could see that would interfere with the Checker Board Stitch in the center field.
Before long it was time to start putting the sheep in their pens.
The sheep are done with a Duplicate Stitch—sort of like embroidering new stitches directly on top of existing stitches. Centering them was a bit fussy. You have to count stitches from the sides, top, and bottom to find the starting points, but the charts—one with a sheep facing left, the other right—were very clear.
Yes, I know you’re supposed to work the Duplicate Stitch bottom-to-top, right-to-left, but for me it was easier to start with the right foot and work up, and then to the right before working to the left because the Plush is so fluffy it hid the stitches I needed to work on.
Close-ups of a left-facing sheep and a right-facing sheep.
Hoping the process would get easier with each sheep, I opted to do one corner, then the opposite corner, one side, then the opposite side so you wouldn’t be able to see if my abilities improved with each sheep. (They didn’t. For some reason the final two took the longest to do.)
Initially I was frustrated if I saw gray come through, or if stitches weren’t even or looked misaligned. But once six or eight were completed I realized those little inconsistencies give each sheep its own personality.
Funny how those sheep kept multiplying…
Several of the Sheep Dreams projects on Ravelry didn’t have all 14 sheep. Now I understand why some people stopped short. Each one took me about an hour to complete! Once the final sheep was in its pen and all of the ends were woven in, the only thing left to do was to block the blanket to size. The Plush yarn creates a subtle 3-D effect, which in turn slightly distorts the grid pattern of the blanket, so blocking is a must.
A different perspective of the sheep:
I loved the final result so much I found a pattern for a similar baby hat and made that, too!
I hope the little baby-to-be will have plenty of sweet dreams under this blanket.